- Difference betwee slugline and scene heading full#
- Difference betwee slugline and scene heading series#
I’m wondering if it is appropriate to use Montage for the following.
Difference betwee slugline and scene heading series#
(Or do I add the dialogue normally with OS or VO? Since this isn’t an extensive dialogue scene and if it were would I write the entire scene as a series of shots end the series of shots write EXT. George: because of the scriptures in the temple Mary: but how could he be so sure about it? Mary: why are we going to the most remote place on earth again? They cling against icy sides against the wind. –A Sherpa leading the procession around a narrow ledge overlooking the ravine. –Mary slipping off a precipice, George catching her arm, saving her. –Climbing against the vastness of the mountains. Now about the dialogue on a montage or a series of shots how do I write it if not on VO or OS? Not just on that scene but on every occasion. So based on what you said I guess it is a series of shots because the duration of the scene is a day long. The idea is that we’re trekking for a day starting very early on and near the night they reach the place they need to be. I’ve seen similar ideas on movies but I haven’t seen it on paper :/ I’m sorry to trouble you over my one scene but it will help me understand the format better too. If the passage of time is short, for me, SERIES OF SHOTS works best. the other? This is another stylistic choice. Show, don’t tell is advice given to the point of cliché, but if followed, will remind you to always seek the visual solution. Montage is used to condense time for story purposes, to advance story without a single line of expository dialogue. Andy looks longingly at the liveĭucks in their cages.
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ON THE RIGHT BANK: Arms full of groceries, AndyĪnd Serafine pass the row of outdoor pet stores IN A WINE STORE: Andy looks at each bottle closely, Says something suggestive and winks boastfully at IN A PATISSERIE: Andy points to a large baguette, Watches Andy and Serafine shop from a distance. AT AN OUTDOOR MARKET: Detective Marcel, wearingĪ lame" disguise" (new wave sunglasses ala "Diva"), Shakes his head "no" and points to the much larger The counterman cuts it and offers the slice. Meats - the counterman shows Andy how big a slice off IN A BOULANGERIE: Serafine buys cheese, Andy buys He makes a horrified face, and they move on.
Into the trendy eatery, but she stops him at the doorĪnd points to the menu or more specifically the prices. AT A BRASSERIE: Andy is about to escort Serafine
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